Talk To Me

At three months of age, Maria Lopez Ruiz’s eyes turned blue. Not just any ordinary blue, but turquoise, the color of the sea near Porto San Sebastian, where Sophia Lopez Vargas, Maria’s maternal grandmother, lived. She, too, had turquoise eyes.

            It was a sign; Maria’s brown-eyed mother told the rest of the family that her child, the fifth daughter of a fifth daughter, would be a woman of great importance.

             Maria’s father worked at a grand resort in Las Almandas, which was over three hundred miles from Porto San Sebastian. Because of the distance, he only came home twice a year: the month of August and the week of his birthday.

It was in January of Maria’s sixth year that her mother died with the fever, leaving the family adrift. Maria moved in with her grandmother, Sophia, in the small house that overlooked the sea.

#

            “Being successful, Maria,” her grandmother always began her stories, “requires being in the right place at the right time.” As she continued to braid her granddaughter’s hair, she repeated the adventures that led her to Porto San Sebastian.

“My first marriage was arranged, or that is what my husband believed. He was from Madrid and I was from Las Rozas. He had seen me…” Her grandmother went on to describe how, at the age of fifteen, she had used her turquoise eyes for the first time. “I have not always lived in this quiet village,” she said, ending the story the way, she ended all of her stories. “And you will not, either,” she added.

“When you are fourteen, you will leave here. You will go and live with your oldest sister in a faraway place. You will become independent and a woman of great importance.”

#

Maria leaned against a pillar on the platform of the Christopher Street Subway station and rubbed her belly. She was in her fifth month with her first child and the heat was the one thing that felt familiar. Taking a deep breath, she considered how far in ten years she had come to be in this place so removed from San Sebastian.

That evening she told her husband: “If I close my eyes for a moment, I am transported home: the thick air covers me, and I can almost hear the sound of the waves.”

He laughed.

“Why is that funny?” she said.
“That’s not why I laughed it’s just…”

Maria sighed as he kneaded his fingers deep into the arch of her right foot.

“I’m proud of you. Remember when I introduced you to my aunt? We agreed to make her think I was seeking her approval,” he said.

Maria smiled and looked toward a window where the air conditioner hummed relentlessly. A sound so familiar and yet so far away, a steady summer wind rattling her grandmother’s house in Porto San Sebastian before a storm.

“Your aunt took me into her lavender bedroom, she pulled the shades and read my cards by candlelight. I know she whispered the readings to you, mi amor. It was a good thing that you had already proposed marriage, or you might have changed your mind.”

He furrowed his brow.

“You are a beautiful woman,” he said. “When we walk down the street, people stare at you. I don’t think you even notice.”

#

It was at the age of twelve that her grandmother told Maria about men who were only interested in the superficial.

“We are like this,” she gestured toward the sea with one hand, as they sat in old wicker chairs on the stone patio sipping cold tea. “Men see what they want to. It is useful.”

#

Maria’s boss, Xavier Batista, was one such man, expecting to get his way with anything and everyone he touched. Xavier moved in all the right circles at Telemundo.

“Brilliant!” He clapped his hands. “But, why just New York, Maria? Think bigger. This country is changing. You have a story to tell, use your biography. Remember my mantra: demographics. Women are our audience; this show will speak to them.

“You have been so generous to me, Xavier.” She turned her eyes toward him and could see the heat rising into his face. “If the network buys my show, how will I repay you for your advice?”

He looked at her, smiled and reached out to touch her arm. “Tell your husband who the father is.” When he began to repeat his dream of how they would move to the city of angels together, Maria moved away. “We are meant to be together—a team.”

“It is too soon to talk of these things. My husband thinks…”

He pulled her toward him. “We will work this out.” His face was now flush with color.
For several months Maria let Xavier think what she needed him to.

#

A scent of bitter fruit infused the air as Maria felt the rumble of the Number 1 train before its lights turned from the tunnel and flooded the tracks ahead. When she entered the crowded subway car, Maria stood in front of a young woman.

“Oh! Sorry,” the woman said jumping up, offering her seat. Maria sat, closed her eyes, and started to review the presentation of her show Háblame: Talk to Me.

Thirty minutes later, when she walked off the elevator onto the twenty-first floor of an office building in mid-town Manhattan, she spotted her secretary, Julia, leave her cubicle and run toward her.

“The presentation has been postponed; something happened this morning.”

Maria let Julia take her briefcase and watched as the woman put her finger to her lips.

“I’ll explain in your office.” Julia twitched like a small sand bird, weaving her way through the maze of gray cubicles.

As she followed Julia, the young employees, heads focused on screens, sat quietly typing. They didn’t look up. It was not their usual morning buzz over prefabricated walls where they stopped to welcome her.

“Xavier has resigned,” Julia said breathlessly as she closed the office door. “I mean he has been fired—resigned is what his memo to the company said.”

Maria took out her phone and saw for the first time the messages, starting twenty minutes earlier from her staff, multiply with every second.

Julia went over to a table where a carafe of coffee waited to be poured. She turned and looked at her boss.

“Are you surprised?” Maria said looking up from her phone. They had never discussed the rumors about Xavier.

“Some of the interns had problems with him,” Julia said. The cup rattled on the saucer as she walked across the office.

Maria flinched. A few years earlier one of the production assistants told her something suggestive Xavier said to her. She remembered laughing. Now the child inside of her rolled and pulled tight against her.

“Talk to me, while I get up to speed.” Maria sat adjusting a pillow on her back and logged into her computer.

“There’s an executive committee meeting in fifteen minutes.” Julia handed Maria a printout of Xavier’s letter to the company. “I told them you would be there,” she said.

“How are you feeling?” her secretary asked.

“About this…or just in general?”

“You work…worked really closely with Xavier. Did he ever…?” Julia’s voice was trembling.

“Of course not, a total professional since the first day I met him. I’m shocked.” She rested her hand over the kicking inside of her. “Give me a few moments.”

“Can we meet?” read the text from Xavier.

Maria waited and when a second text appeared on her phone she read: “Are you there?”

“Can’t. It’s crazy here,” she responded. She was walking toward the Board Room.

“I need to talk to you,” he wrote.

They all will have stories, Maria thought. Even now, on the other side of the building, the President of Telemundo was finishing telling his to the media.

“None of it is true,” Xavier added.

Maria knew he couldn’t possibly know everything everyone was going to say.

End

This story was published in Adelaide February 2020

Moving Day

Lizzie Bower waited on the second floor landing while the next load of furniture was hauled up the stairs. Decisions needed to be made: the contents of her mother’s apartment had arrived on Ellis Street.

“Oh, oh…so who is sending you these things? They are all so—so beautiful!” her landlady shouted up the staircase.

Lizzie didn’t need to see her face, she could imagine Mrs. Thorn’s mouth open as each item marched up the stairs: a five foot gilded lamp from a South Hampton estate sale, a small Chinoiserie desk, an iron Napoleon camp chair with brass arm rests and a leather seat. It was a seemingly endless parade of exotic furniture and boxes whose contents could only be imagined.

“Belated wedding gifts from my Mom,” Lizzie shouted back.

Turning toward the growing piles, Lizzie showed the movers where to place the excess of her mother’s life. The men positioned the alien furniture next to the Goodwill discards that decorated the apartment; they demolished any semblance of balance the room once held.

“Jeeze, whoever packed this … supposed to use the fourteen by fourteens for books, Miss, the little ones, yah know, the ones that say: BOOKS.” The mover gave Lizzie a look as he heaved himself through the door.

“Sorry, my mother…”

Lizzie raised her eyes toward the ceiling; she couldn’t expect him to be interested in the details of her mother’s move to London. It was difficult enough for her to explain her own life, but now she had to come up with a rationale for these castoff pieces of furniture. Slicing open one of the boxes with a knife, she found dirty ashtrays and cigarette butts.

Continue reading “Moving Day”

Frances Liked Oranges

Combing Frances’ hair, Mrs. Buhle turned her around and tried to smile with lips too thin for the gesture. Her black eyes squinted. The skin on her forehead was marked with lines and two oval brown splotches. Mrs. Buhle was very old, but then everyone appeared very old to Frances, who was five. The woman’s shoulders were rounded, padded with a thick black sweater, fluffed like feathers. Frances tried not to move. She was sure she was going to be eaten, or at least pierced by some hidden instrument.
“Now Frances, your mother is coming to visit you today. She wants to see a happy girl. You’re a happy girl.”
This was not a question.
“I’ll take you downstairs, you can go into the front room today. Don’t look so scared. When your mother leaves, I will have a little present for you. How about that…Frances?”
Frances turned her face up toward Mrs. Buhle. Maybe she would get an orange, she liked oranges. She closed her eyes and waited for the blow that didn’t come.

“Frances, Frances, where are you? Are you hiding…sweetie?”
She was trying to hide from her mother, Maude, but her small foot stuck out from behind the large rose-colored wing chair.
“I think I can see you, I see you.” Her mother began a singsong voice.
“Come out, come out, where-ever-you-are. I have a present for you, come out, come out.”
Peering from around the chair with one eye, Frances saw her mother holding a big box with a yellow ribbon.
“Come on, come on…. I’ll help you open this big box. Is it too big for such a little girl to open? Let’s just see what could be in here. You can do it along with me, sweetie.”
Frances crossed the room, smiled and began to pull on the ribbon. The box contained a tea set, a real tea set, not play size like the one she once saw a girl playing with in a book. Frances was very disappointed.
“Give your mum a big squeeze. I have missed you so much. Give me a big hard hug so I can always remember how it feels.”
Her mother had a soft face, with blonde curls falling from under a little red hat. The hat matched the color of her lips and her fingernails. The hug pulled Frances into the folds of a white dress where an exotic scent sealed the moment.

A few days later the tea set disappeared into one of Mrs. Buhle’s cabinets. Mary was determined to get it back to their small room on the third floor.
“It doesn’t belong to them, does it, Frances? It belongs to you; it will always belong to you. I don’t care what she does to me…I’m getting it back.”
Mary was caught, standing on a chair in the pantry. Mrs. Buhle’s daughter watched as her mother pulled Mary off the chair and dragged her into the back room where they kept the punishments.

Draft From: The Last Daughter of Elizabeth Light

My mother was raised in multiple foster homes.  Once she received an orange as a Christmas present.  Her mother never gave her a yellow tea set.

Name Game

`Don’t stand chattering to yourself like that,’ Humpty Dumpty said, looking at her for the first time, `but tell me your name and your business.’

`My name is Alice, but –‘

`It’s a stupid name enough!’ Humpty Dumpty interrupted impatiently. `What does it mean?’

`Must a name mean something?’ Alice asked doubtfully.

`Of course it must,’ Humpty Dumpty said with a short laugh: `my name means the shape I am — and a good handsome shape it is, too. With a name like yours, you might be any shape, almost.’”

—– Lewis Carroll, Through The Looking Glass, Chapter VI,
Humpty Dumpty

John Forster wrote that Dickens made his “characters real existences, not by describing them, but by letting them describe themselves”.

Because my novel, The Last Daughter of Elizabeth Light, is based on some threads of family history, I invented names for my characters, whose lives reminded me of what little I knew about them.  Keeping the continuity of the surname Light, which, strangely enough, was an ancestral name that appeared in England in the 1700’s on my family tree, turned out to be one of those wonderful coincidences.

I had too much fun with secondary characters. Here we are introduced to Harold Hollows the first time:

“Taking a closer look at the young man, Elizabeth noticed the splotches of youth still visible on his face and his somewhat fleshy figure. He had small hands and his nails were bitten away.

“I am planning on being a butler for the family, once I gain the experience, that is.  I have a plan—I will return to London in a few years and be able to run the household of any family I choose. What is your plan, Elizabeth?”

Looking down at her, he had already made up his mind that she had somehow ruined whatever chances she might have had. Her baggage—the baby—had sealed her fortune.

“I really don’t have one—do you think it’s necessary?”

The Last Daughter of Elizabeth Light

Some insight to picking names for your characters can be found from Elizabeth Sims