Magical Thinking

Magical Thinking

            My mother believed in magic. Saint Anthony and the Virgin stayed with her long after she left Sister Angelina and the convent school in Westwood, California, where she lived for ten years of her adolescence. Though she stopped “practicing” before I was born, those quick little prayers of hers seeped into my childhood memory. Even now, I might call out for a saint to find what is lost and more often than not, the Holy Family’s name is taken not in prayer.

            What my mother did observe was spiritual examination from a mystical confluence of numbers and signs. Devoted to astrology, she insisted on sending me alerts of my future from whatever part of the globe she was living. For twenty years, London’s Daily Mail was my regular source of what was going to happen to me next. Little clippings, inserted in the tissue thin airmail letters of correspondence, pointed the way. Once, for Christmas, I received a twenty-page chart with astrological drawings of exactly what each month of the new year held for me.

            I can’t deny that there were times in my life that a little magical thinking helped. Just to know that things were “looking up” despite Mercury being in retrograde gave me a positive outlook. I asked her once: how was it that everyone born in October had the same future. Maybe it was after this heart felt query, she spent a small fortune on a chart that was based on my exact time of birth and the longitude and latitude of New York City. 

My mother wanted to know the birthday of every boyfriend, and, of course, once I was married my husband’s future was a constant source of revelation.

            A stranger would say they are Gemini, and my mother would raise her eyebrows, sigh, and begin a quick assessment, with a little advice tossed in for good measure.

Astrology was always there, but for a while numerology was added. Tarot readings lasted several years. Finally, it was the palm that begged for her devotion. 

“The right is what you are born with, the left is what you make of your life,” she always started. She would curl my hand into hers and look for creases below my pinky finger. “You will have two children, she pointed to the folds. Holding my palm open, she looked for mounds and crosses that signified wealth. “There, you see,” she said, as she directed me to one line or another.

I often watched her take the hand of a new acquaintance, turning it over in hers, and begin to read. They were enraptured. No one ever pulled away. Maybe it was her touch as she traced her finger across their palm, or maybe it was that they were getting so much attention and energy from her.

It would be interesting if we, unknowing sleep walkers, have destinies  based on the latitude and longitude of where we were born and what stars were in a certain position in the heavens at the hour of our birth.  

“Pisces – With a great dose of idealism, you often imagine that the world is in the palm of your hand.

My mother was born on March nineteenth, Pisces on the cusp of Aries or rebirth. She died ten years ago in June at the age of eighty-six. On the first  anniversary of her death, a robin crashed into our patio window. Unfazed the bird lingered on a branch and then moved to the railing of our deck. It waited until it was duly noticed. That might have been a coincidence, but the following year, and for two years after that, on the same date, a robin flew against the window and appeared to be expecting me to recognize her.

End

This essay is being published in the print anniversary edition of Beyond Words International Literary Magazine (November 2021)

Deeds Not Words

In an exhibit at the National Portrait Gallery in London in 2015 (reviewed here), the images of women marching for the right to vote remind me of all the women who came before us, our grandmothers and great-grandmothers. Those women had a voice to raise, just as our voices were heard last month and all the days to follow. The difference is our ability to vote.

I hope that this month, where we celebrate Women’s History (in the U.S.), we will encounter voices both present and past, those we know and especially those that are waiting to be discovered.
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Deeds Not Words was the rallying cry of the suffragettes. Women’s Rights is a recurring back-story in my novel, The Last Daughter of Elizabeth Light.

 

 

In Chapter Three, Sydney, Australia, Maude Anderson reads to her mother, Caroline, from the London Times.

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It is the story of Emily Davidson throwing herself under the King George V’s horse at the Epsom Derby.

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In Chapter Four, Caroline Light speaks to her suitor, Bernard, about her teacher Ada Wells. Later she invites her mother, Martha, to attend a meeting of the Temperance League with Kate Shepard.

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Kate Shepard

In Chapter Five, Christchurch, New Zealand, Mary Müller  speaks to Martha Light about whether she ever thought for herself without first consulting her husband.

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Mary Müller

The ideas of Mary Wollstonecraft in Vindication the Rights of Women, written in 1792, are pressed forward through multiple generations.

Those who cannot remember the past are condemned to repeat it. –George Santayana

 

 

More reading:

Sophia: Princess Suffragette

More on Emily Davidson

The Hunger Artist – Marion Dunlop-Wallace

Primary image credit: ALEX BROOK LYNN/THE DAILY BEAST

Inspirational Outlier

Looking at her from a distance of two centuries, you might wonder how Mary Wollstonecraft, so ahead of her time, arrived at her inspiring thesis: Vindication-The Rights of Women. In her day, the late 1700’s, she was an outlier, an independent thinker, who wrote for us, and for that matter, every generation who followed her.

Yes, there have been others: Simone de Beauvoir, Germaine Greer, and Gloria Steinem. Yes, hundreds, if not thousands of others, who knew the same truths, experienced the same issues and fights. They all wrote for us. Some of these books might seem dated, not relevant, or out of touch with today, yet, the news of the latest insult repeats unsolved issues. Mary’s ideas, published in 1792, had a bite. They left a mark on me.

Reading Mary’s biography by Lyndall Gordon, I knew I had the link to the past I was looking for. I had been researching my family history, using stories my mother told me, census reports from Australia and New Zealand, journals, and newspaper clippings . I was elaborating, embellishing, and I was creating a fictional history of women, of mothers and daughters. How far could I, in any good conscience, retreat from the truth and create a fiction that was universal? And then Mary stepped in.

 

My novel The Last Daughter of Elizabeth Light is available on Amazon.

More about Mary later.

 

 

Moving Day

Lizzie Bower waited on the second floor landing while the next load of furniture was hauled up the stairs. Decisions needed to be made: the contents of her mother’s apartment had arrived on Ellis Street.

“Oh, oh…so who is sending you these things? They are all so—so beautiful!” her landlady shouted up the staircase.

Lizzie didn’t need to see her face, she could imagine Mrs. Thorn’s mouth open as each item marched up the stairs: a five foot gilded lamp from a South Hampton estate sale, a small Chinoiserie desk, an iron Napoleon camp chair with brass arm rests and a leather seat. It was a seemingly endless parade of exotic furniture and boxes whose contents could only be imagined.

“Belated wedding gifts from my Mom,” Lizzie shouted back.

Turning toward the growing piles, Lizzie showed the movers where to place the excess of her mother’s life. The men positioned the alien furniture next to the Goodwill discards that decorated the apartment; they demolished any semblance of balance the room once held.

“Jeeze, whoever packed this … supposed to use the fourteen by fourteens for books, Miss, the little ones, yah know, the ones that say: BOOKS.” The mover gave Lizzie a look as he heaved himself through the door.

“Sorry, my mother…”

Lizzie raised her eyes toward the ceiling; she couldn’t expect him to be interested in the details of her mother’s move to London. It was difficult enough for her to explain her own life, but now she had to come up with a rationale for these castoff pieces of furniture. Slicing open one of the boxes with a knife, she found dirty ashtrays and cigarette butts.

Continue reading “Moving Day”

Frances Liked Oranges

Combing Frances’ hair, Mrs. Buhle turned her around and tried to smile with lips too thin for the gesture. Her black eyes squinted. The skin on her forehead was marked with lines and two oval brown splotches. Mrs. Buhle was very old, but then everyone appeared very old to Frances, who was five. The woman’s shoulders were rounded, padded with a thick black sweater, fluffed like feathers. Frances tried not to move. She was sure she was going to be eaten, or at least pierced by some hidden instrument.
“Now Frances, your mother is coming to visit you today. She wants to see a happy girl. You’re a happy girl.”
This was not a question.
“I’ll take you downstairs, you can go into the front room today. Don’t look so scared. When your mother leaves, I will have a little present for you. How about that…Frances?”
Frances turned her face up toward Mrs. Buhle. Maybe she would get an orange, she liked oranges. She closed her eyes and waited for the blow that didn’t come.

“Frances, Frances, where are you? Are you hiding…sweetie?”
She was trying to hide from her mother, Maude, but her small foot stuck out from behind the large rose-colored wing chair.
“I think I can see you, I see you.” Her mother began a singsong voice.
“Come out, come out, where-ever-you-are. I have a present for you, come out, come out.”
Peering from around the chair with one eye, Frances saw her mother holding a big box with a yellow ribbon.
“Come on, come on…. I’ll help you open this big box. Is it too big for such a little girl to open? Let’s just see what could be in here. You can do it along with me, sweetie.”
Frances crossed the room, smiled and began to pull on the ribbon. The box contained a tea set, a real tea set, not play size like the one she once saw a girl playing with in a book. Frances was very disappointed.
“Give your mum a big squeeze. I have missed you so much. Give me a big hard hug so I can always remember how it feels.”
Her mother had a soft face, with blonde curls falling from under a little red hat. The hat matched the color of her lips and her fingernails. The hug pulled Frances into the folds of a white dress where an exotic scent sealed the moment.

A few days later the tea set disappeared into one of Mrs. Buhle’s cabinets. Mary was determined to get it back to their small room on the third floor.
“It doesn’t belong to them, does it, Frances? It belongs to you; it will always belong to you. I don’t care what she does to me…I’m getting it back.”
Mary was caught, standing on a chair in the pantry. Mrs. Buhle’s daughter watched as her mother pulled Mary off the chair and dragged her into the back room where they kept the punishments.

Draft From: The Last Daughter of Elizabeth Light

My mother was raised in multiple foster homes.  Once she received an orange as a Christmas present.  Her mother never gave her a yellow tea set.

Have I Been Here Before?

At what point did it look familiar? Maybe this was one of those dreams that disappear the moment you open your eyes.  Certainly, I never climbed to the top of Mount Major before, never been to New Hampshire, never wanted to go. But now I’m here, looking out at the view, afraid of getting too close to the edge and falling off. When I pick up the scent of a past moment, I have my feet on the ground, but I’m flying. If I just raise my arms and tip into the air stream, I will be soaring. Flying dreams are the best.

“If I had ever been here before I would probably know just what to do. Don’t you?”- Crosby, Stills, Nash and Young – Déjà Vu

One of the themes of my novel, The Last Daughter of Elizabeth Light, is Eternal Return. Because my story goes backward in time, the present hints at the past. We know the results of actions before they take place. This was easier than it sounds because I was telling a familiar story: a family saga whose story unfolded like an origami bird.

From The Last Daughter of Elizabeth Light-  Frances Baker, 1990 dreaming of San Francisco 1942 :

‘Frances cringed; Milton, the manager, was standing six inches away from her face. Smelling his stale cigarette breath, she tried looking at his yellow teeth but it confused him, so she pretended to be nervous and looked at the floor.

“You know there are many girls I could have hired, Frances, but I chose you, you know why?”

Frances thought this was a question and she started to open her mouth.

“You know why, Frances, you were the prettiest one. Yes, the prettiest one of all of them. You, with your blonde hair. You had the best eyes and legs. You have legs just like Lana Turner.”

Frances managed to step backwards a few inches but he was pressing in. Reaching forward, he slid his hand from her waist to her thigh. Frances jumped and hit the wall with the back of her shoes and head. Her eyes narrowed as she moved out of his way. He tried to block her by putting one arm out to the wall.

“Frances, this is a really good job.”

Milton looked around the lobby with the glow of the concession stand at the end of the hall. The ticket booth had closed, the last show was almost over and they were alone with the muffled sound of a movie playing in the theatre.

“It would be a shame if you spoiled things for yourself. I’m going to be watching you very closely. I better not catch you doing anything wrong. You know what I mean, don’t you, Frances? I mean I better not catch you letting your mother in here for free. Everything has a price. You know we are at war now, everything has a price including this job. Where do you think you’re going? Don’t walk away from me.”

Running, Frances heard him yelling behind her. She turned down one hall, and it led to another. The door was not where it was supposed to be. She felt the wall for knobs in the darkness and realized they were all missing. Suddenly she heard the noise of planes, the building vibrated as though there was an earthquake. The theatre wall began to crumble. Frances started to climb over a slab of cement when a plane appeared to come straight at her.

Droning in some far off room, a vacuum cleaner saved her.’

Fact or Fiction

“Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn’t.” – Mark Twain

Autobiography, Memoir or Fictional Memoir?

An autobiography tells the story of a life, a memoir tells a story from a life with touchstone events and turning points. Relying on memory, well, you know how that goes.

We remember what we want to or how we want to.  There is the saying that there are three sides to every story: mine, yours and the truth. Memory is often a liar.

Is there such a genre as Fictional Memoir?  I think so.  Here’s a list of famous fictional memoirs according to goodreads. 

So why is there a picture of a trapeze artist attached to this post? She is Erma Ward and she could fly.

My grandmother was in the circus = Fact

She had TEX tattooed on her arm = Fact

She saw Erma Ward fly = Fiction

“ I will make it okay. Everything is possible, see—look at Erma, she just lets go. You have to believe.”  – From The Last Daughter of Elizabeth Light

Telling Stories

 

This is a blog about writing, writing my stories, and the journey taken to get to here.

My debut novel The Last Daughter of Elizabeth Light has not found a publisher or even an agent, but that’s not what this blog is about.  It is about what I have learned in the process of writing.  The fictional family tree going back nine generations was inspired by curiosity.  Why did my mother, grandmother and great-grandmother leave their home, their family, and their country to travel great distances to find a new life? My research using newspapers, diaries, journals, and biographies led me to uncover a real history of women struggling to be themselves.

Before 2005 I only wrote business memos, but one beautiful day in San Francisco, after I had left my career in advertising behind, I had an argument with my mother about a plastic ruler.  That was the day I really began to write.

My mother inspired me because she  “embraced life like a bride married to amazement”.   Whether we have had to lean in, or follow another path,  history repeats itself.  We are part of what comes before us, each generation leaving something for the next.

Later edit from 9/16: The novel’s title has changed in this journey, and in October 2016 it was self-publish.